Daily Stormer The Most Censored Publication in History
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The invasion of blacks into formerly majority white entertainment media has been like a plague. In particular, it is black women. I don’t know why it’s women more than men, but it seems like no television program, video game, or comic book can be without a black woman as the female lead. You would think it was the law.
Desperados 3, developed by Mimimi Games, was one of my favorite video games of the last few years. This is an indie dev making pretty niche genre games. I would wager that not one single black woman played Desperados 3, and I would think the total number of both women and black men would be much less than 1% of the total player base. It would be an overwhelming majority white men, with the second largest group being Asian men. But for some reason, this game, which did very well for being a niche genre game with a low budget, was followed up with this:
Within weeks after the release, the company shut down, saying that the newest game’s sales did not justify the studio continuing to exist. That game was released in 2023, presumably having been developed during the Black Lives Matter movement, and apparently, putting black women as the face of your game is just what game developers, including indie devs who were not under any kind of corporate pressure, thought they were supposed to do.
You can come up with all of these theories about BlackRock ESG programs to explain why Ubisoft or Activision-Blizzard went full “niggermania,” but there is no obvious explanation as to why a small indie company would do this other than they thought it would make them money. Clearly, this doesn’t work, and now when people see a black woman on the cover of any entertainment product, they register it as a personal attack. It’s not simply that people don’t relate to black women, although that is certainly part of it. Because this movement in entertainment was associated with the BLM movement and a larger anti-white movement, the kind of person who is going to play an indie real-time tactics game immediately registers the inclusion of blacks where they didn’t used to be as an attack on their immutable characteristics.
In the current situation, blacks (and particularly black women) are seen as barging into a place and demanding to control it. Of course, that was never really what was going on. Blacks rioting during BLM were doing these riots primarily because black people enjoy violence. Secondarily, black people hate the cops, and thirdly, they hate (or at least strongly dislike) white people in general. At no point did the blacks demand they get more roles in white people movies, or be featured in niche indie video games. If you let blacks make a list of their demands, “we want in them white people movies” would never come up. This was a very Jewish operation, saying “we’re going to make this your problem, whitey.” I’m not even defending the blacks, who are clearly a menace, I’m just saying that forcing them into entertainment media was a completely Jewish idea to attack white people. It also inspires even more loathing of the blacks in white people, which may or may not have been on purpose, but whereas no one blinked in the 1990s at a Blade film starring Wesley Snipes (it was actually very popular and good), now when you see a black face, you think “oh yeah, fuck you too then.”
Blacks were not historically banned from media, nor was it always looked at as an attack to include a black. Historically, blacks were included in American entertainment media either because they fit the role (i.e., playing a role of a black person, for example, a criminal or street pimp), because white people liked the black person (e.g., Wesley Snipes), or because the product was being sold to black people (e.g., the original Black Panther comic books).
The fourth reason that blacks would be in a product is if it was made by black people, generally targeted at other black people. When Tim Burton was attacked for not having enough black people in his films (there are literally none), it was before the 2020 BLM mania, and he started talking about how black people have their own films so there is no problem with his films being for whites. This is really the obvious answer.
The explanation then seems to be “well, blacks can’t make their own films, because of slavery.” Or something. I don’t exactly know what the explanation is. Well, the real explanation is “because Jews hate you.” But the ostensible explanation oscillated between “they have to take your films because they don’t have their own because of slavery” and “you have to look at them as punishment for slavery.”
But here’s the issue: Sinners is a good film. I am by no means recommending it, because I don’t think many of the readers will appreciate it. I think most of you have seen enough blacks and don’t want to see any more. Which is understandable and I agree with you, but I was interested in the film because it was popular – billed as the first hit of 2025 – and because it was a totally black film, written and directed by a black and starring mostly blacks.
Regardless of my lack of a recommend, it must be said: it is a totally competent film. I enjoyed it. Though simple, it was well-written and visually neat. I usually am not a huge fan of the “one guy plays twins” trope, but Michael B. Jordan does a good job with it. Everything about this film is fine. I don’t think it’s some cinematic masterpiece, but it is fine. It’s anti-white, I think. The evil vampire is an Irish folk singer who turns the blacks into vampires to use in his folk dances. Which is kind of too hilarious to be offensive. But the director, Ryan Coogler, adds a scene at the end (after what should have been the film’s conclusion) where the main character just kills a bunch of white people. I originally thought it was the studio that had requested he add a scene like this at the end, because aside from any politics, it takes away from the film, but the Wikipedia page says he had final cut rights. So I’m not endorsing anything about the message of the film. I just want to note that it disproves the idea that blacks need to force themselves into our films because they can’t make their own. Coogler – or as I like to call him “Coonler” or “a nigger” – is a fine writer/director and it is proof of concept that the blacks could be making their own films.
But, seriously, all my love to everyone involved with this film, I wish you niggers all the best. I wish you didn’t have to kill a bunch of white people every time you made a film, but it’s fine, I don’t care, and I’m actually able to sympathize with an Irish folk singer vampire whose goal is to get a bunch of niggers to dance jigs to his songs. And thanks for respecting our traditional music. We sure respected your traditional music, my black chappies.
(I want to note that there are Chinese people in this movie, which seemed like forced diversity in an otherwise almost all-black film. There weren’t any Chinese people in Louisiana or Mississippi or wherever this was in the interwar period. If there were any, they definitely were not integrated and speaking dialect with negroes. Frankly, replacing historically black roles with Asians felt very forced and bizarre.)
It seems like the Jews are currently backing off of the “forced diversity in entertainment media” program. At least partially. It’s unfortunate for indie game devs who destroyed their companies by going full niggermania, but I guess it’s good for society? Obviously, I don’t think having slightly fewer blacks forced into white films is going to help anything. At least not on its own. But we are witnessing a broader shift towards a rejection of Jewish values. Hopefully, the blacks can experience something similar. Maybe they are. I don’t really know that Kanye West is representative of the blacks and their feelings about things. But if they can make their own films, that is good. Much of the problems with the blacks are based on the issue of dependence on white people for everything in their lives. That creates resentment. They become like rebellious children angry at their parents. If they can gain some kind of independence, they can back off a bit and stop being such a nuisance.
The woke right is rising.
The Jews seem to be on the backfoot, not just on the world stage with their Israel project, but also domestically with their tranny/nigger/women program. But that really seems like a mirage. To me, it seems unbelievable that all of a sudden the Jews would just lose all this power for no reason. If there was some kind of religious revival and people were praying for a restoration of normalcy in the country, I could believe it. But that isn’t happening. Right now, we’re supposed to believe the Jews just all of a sudden surrendered and let everyone back on the internet for no reason.
Frankly, I don’t know what is happening. But it seems very unlikely to me that it’s totally straightforward and exactly what it looks like. I’m sure Tucker Carlson, Joe Rogan, Candace Owens, Tim Dillon, Theo Von, Joe Rogan, etc. are all very nice people, but the idea that because Trump got “elected” in this sham system means that all of a sudden you can now just talk about the Jews on YouTube doesn’t make any sense to me at all and I don’t believe it’s what it looks like it is. I don’t know what it is but I don’t have to know what it is to not believe it. I can not believe anything I don’t want to believe. This system simply cannot function on even a medium-term timeline if people are allowed to talk about Jewish behavior and Jews have the ability to shut it down. Trust me, they have that ability. The only thing I can reckon is that they’ve run AI simulations where the amount of censorship we had previously was going to result in a violent uprising, so they rolled it back some, but it’s right now rolled back too far and there is going to be some kind of correction which will probably be a staged “far right terrorist attack.” That’s where I would guess this would go. Of course, I can’t predict the future; I’m not a wizard. I’ve never looked a gift horse in the mouth, but I’ve also never looked a Jew in the mouth and I’m not going to do so, ever.
