Daily Stormer The Most Censored Publication in History
Andrew Anglin
Daily Stormer
August 25, 2016
He’s a gang-rapist??? No one could have predicted it.
Are you guys tired of winning yet?
I hope not – this VICTORY TRAIN is just getting rolling!
For two years, the film Academy has been hit with fiery criticism over its all-white Oscar acting nominees. So when Nate Parker’s The Birth of a Nation premiered to cheers at the Sundance Film Festival in January and sold for a record $17.5 million to Fox Searchlight, it looked like a savior Academy voters could embrace, in part to rectify past wrongs.
You mean slavery?
Birth of a Nation seemingly had everything going for it. The film could claim historical importance — it tells the story of the slave rebellion led by Nat Turner in 1831. It had the imprimatur of the Sundance Institute, where it had been developed. Parker himself had the kind of personal story that often resonates with Oscar voters, since he’d temporarily set aside a promising acting career to pursue his passion project, which marks his directorial debut. And, in the months since its debut, as the Black Lives Matter movement has gained momentum, Birth, rather than just revisiting the past, looked as if it could become an important part of the national conversation about how black men are treated in America.
And now it can be used in the national conversation about how Black men treat White women in America!
Talk about flipping the script on these kikes!
But now the film is seen as tainted after details resurfaced from a 2001 rape trial in which Parker, now 36, was acquitted but accused of reprehensible acts (his friend Jean Celestin, who shares a story credit on Birth, was found guilty, but the conviction was overturned), and it was revealed Aug. 16 that Parker’s alleged victim killed herself in 2012.“Personally, I find it really hard to separate the man from the film when he wrote, directed and starred in it,” says Marcia Nasatir, an Academy member in the executives branch. “Do I want to see a movie from someone who has committed an assault against a woman and who I do not think recognizes his guilt? Right now, based on what I’ve read, I would not go to the movie.“
That’s a top-ranking member of the academy, folks.
This nigga just got popped.
This nigga got popped, this nigga got drown, this nigga got found on the other side of town!
The question is whether other Academy members will respond similarly. Among those surveyed, few had previously known of Parker and most are first learning about him via the media coverage of the resurfaced rape claims. Most have not yet seen the film, which has screened only at select festivals and private tastemaker events since Sundance.
Fox Searchlight maintains it is charging ahead with an Oct. 7 wide release plan and a roll-out that will include a high-profile screening at the Toronto Film Festival and a “road show” with Parker visiting college campuses.
rofl
College campuses?
Like the one where he got charged for GANG-RAPE???
Nate Parker with his wife lmao
Also, it isn’t being mentioned much, but he was accused of rape at least one other time while in college.
He was a bloody African rape-machine!
A planned screening and Q&A with Parker on Friday at the American Film Institute was canceled late Tuesday, and others could follow.
The backlash means rival campaigns for films dealing with black subject matter likely will press their cases even harder. And unlike past seasons, this year there are a half-dozen films that, at least on paper, deserve serious consideration.
Most prominent among them are Loving (Nov. 4), writer-director Jeff Nichols’ look at the landmark 1967 Supreme Court case Loving v. Virginia, which struck down laws prohibiting interracial marriage; Denzel Washington’s Fences (Dec. 25), his adaptation of August Wilson’s Pulitzer Prize-winning play about a black family in 1950s Pittsburgh; and Theodore Melfi’s Hidden Figures (Jan. 13, following an Oscar-qualifying run), starring Taraji P. Henson and Octavia Spencer as real-life math whizzes who worked for NASA during the 1960s. Other contenders: Oscar winner Lupita Nyong’o stars as the mother of a young Ugandan chess phenom in Mira Nair’s Queen of Katwe (Sept. 23); Barry Jenkins’ Moonlight (Oct. 21), about a young man coming to terms with his sexuality; Southside With You (Aug. 26), in which Tika Sumpter and Parker Sawyers play Michelle and Barack Obama on their first date; and Will Smith, who plays a man trying to rebuild his life in December’s Collateral Beauty.
In an effort to avoid another #OscarsSoWhite flap, Academy PR consultants and the awards media likely will shine a spotlight on such movies, but the campaigns also risk pitting “black” films against one another. Even before Parker’s rape case re-emerged, strategists quietly were laying the groundwork to position their movies as more palatable alternatives to the violent, R-rated Birth.
Yeah, see – they are now just openly admitting that nominating Blacks for Oscars is part of an affirmative action program.
That’s what it means when one gets dropped because the maker is a gang-rapist and the others then believe they have a chance.
It’s called a “quota.”
They are going to have to choose something to get rid of the image Hollywood is controlled by Whites.
Despite the welcome crop of black movies that will jostle for attention, there’s a question whether each will be judged on its own merits. The risk is that because of all the focus on race, the films will be forced to contend with an unspoken quota system, with each competing to fill a limited number of slots. “I’m already prepared for the backlash of any film that centers on marginalized communities being thought of as an affirmative action or a quota pic,” says April Reign, the activist who coined #OscarsSoWhite.
HAHAHAHA!
WHAT DID YOU WANT THEN????
April Reign didn’t want a quota system. She just wanted Black films to win Oscars based on merit. So basically, #OscarsSoWhite was a demand for Black people to start making better movies. I mean. I guess.
WILL ANYTHING EVER SATISFY YOU DUMB MONKEYS????
GO BACK TO AFRICA – TAKE YOUR GANG-RAPE AND BORING MOVIES THAT PEOPLE ONLY WATCH OUT OF GUILT OVER SLAVERY WITH YOU!
See ya later, Blacks! Send us a postcard from Africa! Oh right – no mail service!
