Daily Stormer The Most Censored Publication in History
Daily Stormer
February 25, 2018
The Oper am Gänsemarkt, where Handel listened to Keiser’s work.
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I wondered why I’d never had the chance to hear an opera performed by Reinhard Keiser. He was considered the greatest operatic composer of his time. J.S. Bach and Handel held him in the highest regard and borrowed from his work. I am a frequent attendee at the philharmonics and opera houses and I’ve never seen a single work of this distinguished composer scheduled at any of them.
In watching videos on Keiser’s Brockes Passion, I came across a statement from a Belgian Conductor describing how the performing rights to the work were locked up in legal limbo for many years. There is a German law that stipulates that any “undiscovered” piece grants its performing rights on discovery to the musicologist that discovers it. A law firm in Germany claimed that nobody had ever heard it before and they owned the rights.
This to him and many others may just seem like a silly situation, but as a seasoned observer of kikery I got a hunch and I googled Reinhard Keiser anti-Semitism, and lo and behold, there are academic papers complaining about what a Jew hater he was.
Every man of culture and intellect was always sick and tired of these filthy kikes, I tell you.
Keiser made a bunch of Singspiels that depicted Jews in a comical way (always performed by the bass Christian Wilhelm Riemschneider, Junior– the Morrakiu of his era, specializing in the depiction of greedy kikes for comic relief) and the musical scores to all of these have gone permanently “missing”:
Die Leipziger Messe (Weidemann), 1710
Der Hamburger Jahr-Marclct (Praetorius), 1725
Die Hamburger Schlacht-Zeit (Praetorius), 1725
Der stumme Prinz Atis (Praetorius), 1726
Mistevojus (Miiller), 1726
Just a coincidence, goyim.
These Jews systematically destroyed the most popular works of one of the top composers of European history in a conspiracy that lasted centuries, and even tried to use obscure intellectual property laws to prevent audiences from hearing his Brockes Passion today. This is just as monstrous as ISIS blowing up ancient statues. These kikes are sick degenerates who have no regard for the culture and history of Europe, and they need to pay dearly for this.
I’m declaring Reinhard Keiser the official composer of white European dissidents, and an eternal symbol of what we lose to Jewish censorship.
They’re trying to do the same thing now to this very publication, and we need your help to stop it. We need permanent physical archival. I want you to make contacts with librarians, both public and university ones, to make sure these issues of Stormer are available for future generations. We need to figure out how to get printed and bound versions of these in as many places as possible.
