Critic: Israelite’s Power Rangers a Perverted Romp Worse Than Fantastic Four

Andrew Anglin
Daily Stormer
March 23, 2017

I was delighted to read one of the first reviews of the Jew Dean Israelite’s Power Rangers movie in The Telegraph.

The critic, Robbie Collin, actually puts in the title that it is worse than the Fantastic Four reboot, which before the release of Batman vs Superman (and subsequently Suicide Squad), was widely understood to be the worst film ever made.

What surprises Robbie, but will not surprise the readership of the Daily Stormer, is that the Jew laced the children’s film with weird sex humor. As we reported earlier this week, the film features a lesbian character.

From Robbie’s review in The Telegraph:

The Power Rangers are sexting, if you’re wondering what they’re up to nowadays. They’re slut-shaming too. They’re also talking about inserting crayons into bodily orifices and pleasuring farmyard animals. If you think that last one’s an exaggeration, buy a ticket. Five minutes in, you’ll come face to ashen face with the all-mooing, all-hoof-stomping truth.

Quite who thought a graphic joke about “milking” a bull would be a promising start to a Power Rangers film is anyone’s guess (the screenplay is credited to five different people). But there’s no doubt it sets the tone for what must be the most flabbergastingly misconceived reboot of recent years. Never mind 2015’s Fantastic Four, which became a mangled shadow of its cast and crew’s original intentions en route to the screen. Power Rangers may actually be like this on purpose.

One too-brief burst of the theme tune aside, you sense the film constantly straining to distance itself from the original Mighty Morphin TV series, a trashy but ingenious splice-and-dice job in which scenes of American high-school drama were grafted onto unrelated battle sequences from a long-running Japanese superhero show. (It was an instant hit in 1993, and the franchise has been chugging along lucratively, if less prominently, ever since.)

There’s a kind of logic in Lionsgate handing directing duties to Dean Israelite, whose slight but charming 2015 debut, Project Almanac, unapologetically positioned itself as Chronicle with a time machine – and a John Hughesian detention scene even positions them as Breakfast Club-like outcasts, united in adversity. But it’s impossible to fathom why the studio decided that’s what they wanted in the first place.

The result is a film about heroes in rainbow leotards who battle giant monsters with robot dinosaurs in which an hour and 34 minutes pass before those heroes actually get into their hero costumes and fight a bad guy. What’s less readily explicable still – and arguably even sadistic – is the way the film keeps pretending they’re about to, before ploughing its heroes into another cycle of wrestling with Real Life Teenage Issues (see sexting, above) and training at the behest of their Great Oz-like mentor Zordon – Bryan Cranston, motion-captured and Trumbo-bad – and Alpha 5, his Bill Hader-voiced robot sidekick.

The five leads are also wildly irritating, and, despite the heavy stress on their diverse racial backgrounds and quirky personalities, weirdly interchangeable. Now and again the film cuts away to the activities of Rita Repulsa (Elizabeth Banks), a witch from outer space who’s terrorising the residents of Angel Grove in her ongoing hunt for the Zeo Crystal.

In one of a number of scenes that may traumatise nostalgic millennials, let alone the show’s primary-school-aged core audience, Rita is seen tearing out a tramp’s teeth in silhouette. (There’s also some cod-orgasmic moaning, usually while she’s being engulfed by slime or bristles.)

Yep.

Jews are very weird people.

Color Change Controversy

One thing that is almost inexplicable is that they changed the racial color scheme, where the black guy was the Black Ranger and the Asian girl was the Yellow Ranger.

The Red Ranger was even a sweaty-looking pink-faced guy. Everything in its place

Now, the black guy is the Blue Ranger, the Asian (a man this time) is the Black Ranger and the Yellow Ranger is a Mexican (but I guess there’s no “Color of Shit” Ranger anyway lol).

So…

What could possibly be the reasoning behind this? I mean, it’s a very deliberate decision, obviously – the preview even shows a scene where they get their powers and the Asian guy is like “I’m black” and the black guy’s all like “o hell naw u aint muffugguh.”

So, is being the super hero color associated with you race racist? Or is it actually more racist to do what this Jew did and draw attention to it by changing it?

This is almost an Iron Fist-tier conundrum.

Virtually every black superhero there is has the word “black” associated with them, and it is hard to believe this is offensive to anyone. Marvel is making a Black Panther movie.

But all types of things are racist these days, to the point where many things are racist either way you do them.

The film opens Friday.

I won’t be paying to see it, but I might go ahead and watch it for research.

And because I am personally fascinated with this modern streak of horrible movies. I watched Fantastic Four three times, and watched both versions of Batman vs Superman.

And that’s the end of the article, I’ve made all of my points, so I’ll just stop typing now – AYO HOL UP.

Who felt their first feel for the Pink Ranger?

Well, if you did – or if you didn’t, even perhaps if you are some kind of faggot – you’re not going to be happy to learn that the new Pink Ranger is a half-breed Paki, Naomi Scott.

Now, if you’re looking at that picture and say “whoa der, dat bitch a bit thick,” then let me go ahead and stop you right there and we can have a little talk about chronic JOKER MOUTHISM.

See, what happened there?

You’re all like “hold on there Anglin, half-Paki or not, that bitch is looking alright” – and then you come to find out that bitch has a real SERIOUS case of joker mouth.

This is a perfect example of an ongoing phenomenon plaguing our society which I have dubbed “NAIVE ACQUIESCENCE.”