Daily Stormer The Most Censored Publication in History
I remember watching American Beauty back in 2004. At the time, I thought it was the most subversive mainstream film I’d ever seen; a blatant and unapologetic attack on traditional heterosexual society. When I became Jew-wise a few years later, I finally understood why: the film was directed by a Jew, written by a faggot and financed by the biggest Jewish faggot in Hollywood.
What a trifecta of unholiness.
Nowadays, the level of subversion coming out of Hollywood makes American Beauty look comparatively tame. Take Love, Simon, for instance. This fag-directed film, to be released on March 16, is about a white American teenager who – unbeknownst to his friends and family – has an insatiable desire to bugger other men up the arse.
Needless to say, the soyboy critics are lapping it up!
It’s easy to forget, given Moonlight’s groundbreaking Oscar haul and the steady stream of acclaimed LGBT indies released since, that queer characters in mainstream films are still barely visible. They make infrequent throwaway appearances in minor roles, providing emotional or comic support while their stories remain secondary, thinly sketched, irrelevant. Attempts to crowbar them into franchise films have been embarrassingly coy and so instead, their narratives have been forced to stay within smaller films, where the risk of offending or alienating an over-catered straight audience wouldn’t be viewed as such a problem.
So this reviewer, who calls the film a “landmark teen classic,” claims that LGBTP characters in movies are “still barely visible.”
Forgive me if I don’t seem persuaded. I rarely watch movies any more, but when I do, I find that fags are over-represented in them just like blacks, Jews and all those other minority groups that comprise the rich, colorful tapestry of 21st century America.
“Love, Simon” is so accessible that gay teens don’t even appear to be its target audience; rather, the movie seems more ideally suited to young women — essentially the U.S. equivalent of the avid female readership that sustains Japan’s massive yaoi comic-book market. If this pioneering film is a success (a big “if,” since the young men who need it most might be too self-conscious to see it in theaters), expect more female-friendly gay-male love stories marketed at teens — the ultimate upside of which will be a chance to show those struggling with oppression, suicidal thoughts, and the other trappings of the closet that they are not alone, and need not feel ashamed.
Targeting young women makes sense. Fags are already going to support fag interests, so it’s a much better idea to corrupt the most impressionable and malleable members of society. Even better if they drag their henpecked boyfriends to the cinema with them (which they will).
An Aryan Princess wrote the book on which this film was based, btw. If we hadn’t taught women how to read or write, this film would never have happened. Let’s bear that in mind when we start the whole “rebuilding society from scratch” thing.
Love, Simon currently has a score of 93% on Rotten Tomatoes. Though lower-rated than Black Panther, which is apparently one of the greatest films of all time, it’s doing better than Fight Club, Predator and all of those other problematic films from the previous century.
Pretty depressing stuff.
Below is the trailer for the film, as well as a battle scene from 300. I strongly recommend that you don’t watch the trailer, but if you do, watch the battle scene afterwards to reclaim any lost testosterone.
