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Andrew Anglin
Daily Stormer
May 25, 2015
Jewish hoax film “Son of Saul” has won the Grand Prize (second place, actually – don’t know why they call that “grand”) at Cannes film festival.
The Jewish lie of the Holocaust – commonly known as the “gas fiesta extravaganza” – not only provides Jews with limitless money from governments and an inability to be collectively (or even individually) questioned in any situation – they are also able to make huge sums of money through the process of brainwashing people into believing in this hoax!
Only a Jew could say: “goyim, we need to brainwash you into believing a silly hoax so that you will not question us for controlling your society – now each of you pay us $12 to get brainwashed.”
The big prize of the festival was given to a film about Paki “refugees” fleeing to France, lol.
Can’t make this stuff up.
The harrowing Holocaust drama “Son of Saul,” offering unflinching depictions of the gas chambers of Auschwitz, claimed the runner-up Grand Prize at the Cannes Film Festival on Sunday.
Some expected Laszlo Nemes’ horrifying plunge into the life of an Auschwitz worker to take the top award, but it’s been 26 years since a debut film (Steven Soderbergh’s “Sex, Lies, and Videotape”) was given the Palme.
“This continent is still haunted by this subject,” said Hungarian director Nemes, accepting the award.
The Times of Israel’s critic, Jordan Hoffman, last week hailed “Son of Saul” as “the best film of the festival, and … perhaps one of the most striking works of art about the Holocaust yet made.” He added: “By bringing us back inside the extermination camps in a new (and dare I say artful?) way, Nemes shakes up the conventions of Holocaust films that have undeniably grown predictable. This movie shocks the system… Nemes, who worked as legendary filmmaker Béla Tarr’s assistant, has come out of the gate with a masterpiece.”
Jacques Audiard’s Sri Lankan refugee drama “Dheepan” won the Palme d’Or, the top honor of the Cannes festival.
The choice, as selected by a jury led by Joel and Ethan Coen, was unexpected. “Dheepan” is about a trio of Sri Lankans who pretend to be a family in order to flee their war-torn country for a housing project in France. While the dapper Audiard has drawn widespread acclaim for films such as “A Prophet” and “Rust and Bone,” many criticized “Dheepan” for the thriller-like conclusion of its otherwise patient depiction of immigrant adjustment.
“To receive a prize from the Coen brothers is exceptional,” said Audiard. “There’s only the Dardenne brothers (that could match it).”
Listen up, Jews: if you’re going to keep making films about this, you need to make a documentary film where you show the evidence that these gas chambers actually existed.
Because so far, none exists. And if you have the millions to keep producing these films, you must have the money to figure out a way to show us it actually happened. I guarantee box offices will sell out with a movie showing the actual facts of how the gassings were physically possible, and what evidence exists to prove that they took place.
Once you prove it actually happened, Jews, I’ll pay $12 to see every film you make about it. I’ll even buy popcorn. Get this, Jews – I’ll even film myself crying when the Jews get turned into lampshades, and post the video on YouTube.
While you’re at it, Jews, I would also like to see less films about the horrible suffering of non-Whites showing us how we need to let them in our countries and more films about the genocide of Whites in South Africa.
Seriously though guys – the director of “Dheepan” openly said he made the film with the hopes it will change European attitudes about being invaded by the third world.
Jacques Audiard has said he hopes the Palme d’Or win at Cannes for his seventh feature, Dheepan, will “help the situation” for migrant workers in Europe.
Audiard’s film is the tale of a former fighter in the Sri Lankan civil war who seeks asylum in France by means of a fake family. Speaking after the ceremony, Audiard said that it was “important to reflect” on the current situation, although he wrote the script five years ago, “when it wasn’t so critical”.
“What interested me was the position of someone different in society. How the people who sell us roses when we’re sitting in a cafe live and where they come from. If it helps their situation, then so much the better.”
Audiard, 63, is a favourite at the festival. His film A Prophet, about a young French-Algerian man sentenced to six years in a French prison, took the Grand Prix, or runner-up award, five years ago. He competed subsequently with Rust and Bone.
The decision to award him the Palme d’Or at Cannes’s 68th edition was “swift” said Ethan Coen, who jointly chaired this year’s jury with his brother, Joel. “This was a film about which everyone had a high level of excitement and enthusiasm.”
Juror Gulliermo del Toro brushed off suggestions of a political agenda in Dheepan’s selection for the top prize, saying “the issue of immigration per se was not something we discussed”. But Spanish actor and fellow juror Rossy de Palma did draw parallels between the film and “the people in the streets you see and wonder where they come from. People living in very difficult and precarious circumstances. [Dheepan] is real cinema and we feel deeply concerned by what’s happening in the Mediterranean.”
I can do nothing but laugh.
It’s us against the world, brothers.
Would you have it any other way?
