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Diversity Macht Frei
July 30, 2017
It seems that no aspect of European peoplehood, not even our history or mythology, can be allowed to remain unvitiated. The King Arthur legend – originally a stirring tale of British patriotism in which the king rallied the indigenous people in the face of foreign invasion – is now perversely reworked to become an instrument of pro-invasion propaganda.
The baddies are posh white Nazis, while the heroes are a multicultural posse of negroes, chinks and working-class cockneys. In reality, of course, it is rich white guys like Guy Ritchie who are using the brownskins as an instrument of class and ethnic warfare against the ordinary indigenous people of Britain and Europe.
But negroes aren’t the only ones in the round table posse who are swart of skin. It seems “King Arthur” learned his fighting skills from a bunch of Chinamen, who set up a kung-fu school in Londonistan of what must be around the 5th century AD.
In case you weren’t getting the multicultural point yet, there is more. The baddie, Vortigern, played by Jude Law, performs a kind of Hitlerian salute to the assembled multitude.
It seems that no aspect of European peoplehood, not even our history or mythology, can be allowed to remain unvitiated. The King Arthur legend – originally a stirring tale of British patriotism in which the king rallied the indigenous people in the face of foreign invasion – is now perversely reworked to become an instrument of pro-invasion propaganda.
The baddies are posh white Nazis, while the heroes are a multicultural posse of negroes, chinks and working-class cockneys. In reality, of course, it is rich white guys like Guy Ritchie who are using the brownskins as an instrument of class and ethnic warfare against the ordinary indigenous people of Britain and Europe.
