Racial Appropriation: “Hamilton” is White Genocide Turned into Entertainment

Diversity Macht Frei
November 21, 2016

The musical “Hamilton” is being presented in the media as some great creative triumph, celebrated by all. But it won’t be celebrated by me. Why? This entire spectacle is simply white genocide turned into entertainment. It retells American history with the roles historically played by European Americans instead performed by brown-skinned people of varied ancestry, the whole thing set to music of a style typically associated with those of African race. This is racial appropriation. One race is written out of history, replaced by another. Europeans are being asked to celebrate their own demise, their own effacament from America’s story.

Imagine if someone made a musical about Zulus and all the Zulus were played by Europeans, played to Mozart-like music. You can imagine the outrage that would provoke. But, somehow, when it happens to Europeans, this racial usurpation is OK? No, it’s not OK. In the age of Trump, maybe white people need to establish a new political correctness of their own.

We need people to picket, protest and boycott this so-called musical. There can be no place in modern America for racially inflammatory spectacles masquerading as entertainment. And don’t give me the argument that this is free speech. This isn’t free speech. It’s hate speech. And hate speech doesn’t cease to be hate speech just because it’s set to music. Especially when that style of music is rap.