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William Martel
Daily Stormer
December 6, 2015
Remember goyim, only whites can be racist.
Breibart reports on the recent live production called The Wiz Live! which is a remaking of The Wizard of Oz, but this time, using an all-Dindu cast. But it seems that white folks, finally, are starting to realize the double standards:
NBC’s The Wiz Live! was a massive success for the network Thursday night, drawing an estimated 11.5 million viewers for the special live broadcast of the 1974 Tony-winning musical – however, some social media users, apparantley unaware of the musical’s history, called the show racist for its use of an all-black cast.
The original Wizard of Oz didn’t include any black people because back then they weren’t running around trying to be in everything that didn’t include them. But these days, it’s another story.
The funny thing is that we don’t see Whites running around demanding to be Shaft, nor do we don’t see Asians running around demanding to be Rocky Balboa, but we do constantly see Blacks trying to change everything they can. But if Whites did, for some stupid reason, try to make an all-White Shaft movie, we all know it would be called racist for sure. Maybe Asians could get away with having an all-Asian cast for Shaft, as they are seen as a “minority,” but I’m not so sure anymore; the feels of Blacks are so sensitive theses days.
But why is it that Blacks, who can now read and write (thanks to the white devil) don’t just simply make up their own new stories and with their own black characters from scratch? Why must they literally steal everything, including things from our culture: changing comic books characters, copying our fashion, claiming Jesus was black, and even making absurd claims that all of our inventions are actually theirs because Egypt?
Well, we must first find out who’s idea was it to negrofy The Wizard of Oz in the first place.
“If you run into any racists today yelling and moaning about this all black version of The Wizard of Oz that NBC seemingly pulled out of its ass and you really want to piss them off? Just tell them the movie was directed by the late great Sidney Lumet. Possibly the whitest white man who’s ever lived,” he wrote.
Now that we’ve found out who did it, let’s see if this Sidney Lumet was actually the whitest man who’s ever lived.
…I think most of you already know where this is going.
Wikipedia tells us:
Lumet was born in Philadelphia. He studied theater acting at the Professional Children’s School of New York and Columbia University.
Lumet’s parents, Baruch and Eugenia (née Wermus) Lumet, were both veterans of the Yiddish theatre. His father, who was an actor, director, producer and writer, was a Polish Jewishemigrant to the United States who was born in Warsaw. Lumet’s mother, who was a dancer, died when he was a child. He made his professional debut on radio at age four and stage debut at the Yiddish Art Theatre at age five
The Wiz, sadly, is nothing new. It was created by the Jew back in 1978, and included a cast of Michael Jackson and Diana Ross. This kind cultural appropriation has been happening slowly for decades, and of course was pushed by the Jew. Blacks, who are too busy worrying about “muh dik,” simply don’t have the time to try and create their own things, and instead, just jump at every opportunity to steal whatever is ours because the Jews tell them it’s all theirs to begin with.
What I don’t understand is why not call it Da Wiz Yo! which would have been more appropriate.
Here is a clip of this abomination created by the Jew.
I heard it was da SHEEEIITTT.
