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Constructivism is real art, goy
The fake Jewish art movement of the 20th century is one of the single most repulsive things that has ever happened on planet earth.
It so drastically displays the Godless nature of the Jewish racial spirit that this single issue alone should prove to any rational person, beyond any shadow of a doubt, that Jews do not belong in Christian society.
The Tate gallery has deemed that a celebrated British artist should be referred to with the pronoun ‘they’ – more than 60 years after her death.
Several works by Marlow Moss, a painter and sculptor who died in 1958, are on display at Tate St Ives, Cornwall, with a sign referring to her using gender-neutral pronouns.
Visitors are told that Moss’s ‘deliberately masculine appearance challenged both artistic and social conventions at the time’ and ‘their’ approach to modern art and identity ‘continues to provoke vital debate about art history, making and gender’.
Moss, who is credited for helping shape abstract art in Europe in the first half of the 20th century, has been described as a radical lesbian and changed her forename from Marjorie to Marlow in 1919, as well as adopting a masculine appearance.
Did she really adopt a masculine appearance, or did the masculine appearance adopt her?
But the decision by the gallery to posthumously change the pronouns of the Constructivist artist has prompted accusations that it was trying to erase her sex.
A page on the Tate’s website explaining its thinking – which was briefly deleted before being restored yesterday – even went as far as to suggest that Moss might identify as transgender if she were still alive.
The page said: ‘It’s very interesting trying to describe people from history like Marlow, because we have tons of words to describe gender now that didn’t exist in Britain back then.
‘Perhaps if Marlow was alive today, the artist would identify as transgender, which means that your gender is different to the one that the doctors or midwives presumed you were when you were born, or non-binary, which means that neither the word “boy” nor “girl” are a good fit for you.’
One visitor, Jo Bartosch, shared a letter of complaint she had written to the Tate on social media, but claimed she had yet to receive a reply more than a week later.
Ms Bartosch’s letter to the gallery said: ‘Like many lesbians and bisexual women of the time, (and indeed some today), Moss dressed in stereotypically male clothes.
‘It should not be surmised from this that she thought of herself as anything other than a woman.
‘This is as logical as arguing that any woman in the past who achieved recognition outside of the home was not in fact a “proper woman”, because in doing so she would break a traditional feminine role. It is a sexist, regressive assumption.’
My pronouns are “gas” and “chamber.”
Here are some of her masterpieces:
