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Diversity Macht Frei
October 26, 2017
The Jew Israel Zangwill is credited with inventing the “Melting Pot” metaphor to describe America’s fusion of distinct peoples. His play of the same name is an early example of Jewish race-mixing propaganda.
Zangwill had a few interesting things to say in the afterword to the published edition of his play, however. Although he hoped that negroes would one day race-mix with whites, he admitted that whites felt an instinctive physical repulsion from them and said this was a racial defence mechanism.
This is not to deny that the prognathous face is an ugly and undesirable type of countenance or that it connotes a lower average of intellect and ethics, or that white and black are as yet too far apart for profitable fusion. Melanophobia, or fear of the black, may be pragmatically as valuable a racial defence for the white as the counter-instinct of philoleucosis, or love of the white, is a force of racial uplifting for the black.
This is somewhat ironic, as Zangwill himself had been told by no less a person than Theodor Herzl, the “founder of Zionism”, that he had a “face like a negro”, which, as you can see from the photo, he did.
Zangwill took malign pleasure in the cultural negrofication of white people.
Meantime, however scrupulously and justifiablyAmerica avoids physical intermarriage with the negro, the comic spirit cannot fail to note the spiritual miscegenation which, while clothing, commercialising, and Christianising the ex-African, has given “rag-time” and the sex-dances that go to it, first to white America and thence to the whole white world.
Zangwill was also keen to stress that the Melting Pot need not apply to Jews, except culturally. The Jew must preserve his genetic essence intact.
The action of the crucible is thus not exclusively physical—a consideration particularly important as regards the Jew. The Jew may be Americanised and the American Judaised without any gamic interaction.
gamic. Adjective. (not comparable) Formed as a result of syngamy (union of gametes), sexually produced, sexual.
This was an early example of “Diversity for the goyim, purity for the Chosen”.
On rare occasions, Jews will sometimes admit the role they are playing in bringing about the dissolution of the white race. They usually claim this is a response to the Holocaust. (See below for an example.) Zangwill’s play was first staged in 1908, however, before either of the World Wars. So those who claim race-mixing propaganda was a response to the Holocaust should consider whether the causative relationship might have been the other way round.
