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Lee Rogers
Daily Stormer
August 7, 2017
Hollywood with their endless sequels, superhero films and remakes have fatigued the average movie goer.
It looks as if things are getting progressively worse for Jew run Hollywood film studios.
2017 has been a terrible year for them. People are no longer paying to watch any of the horrible rubbish they’re producing.
Hope is fading for a feel-good ending at the U.S. box office.
After several months of flops like Warner Bros.’ “King Arthur” and EuropaCorp’s “Valerian,” movie studios and theaters are beginning to acknowledge that their streak of record-setting ticket sales may be coming to an end. AMC Entertainment Holdings Inc., the world’s biggest cinema chain, laid out a worse-than-projected outlook for the North American box office this week.
That announcement dragged down shares of theater stocks, wiping out $1.3 billion from the value of the top four cinema operators in North America since Aug. 1. Even with a new “Star Wars,” a Marvel superhero movie and the sequel to “Blade Runner” on the docket for the holiday season, the box office is unlikely to make up for a “severe hit” in the third quarter, according to Bloomberg Intelligence. To date, receipts are down 2 percent in 2017, and AMC is projecting a 1.5 percent decline for the full year.
The concern is that the slump isn’t just a run of bad luck. Cinema operators have managed for years to keep increasing sales by raising ticket prices amid stagnant attendance, but a sharp drop in filmgoing would make that harder to sustain. And the tried-and-true formula of churning out big-budget sequels and cinematic universes populated with superbeings seems to be wearing on filmgoers. Movies featuring once-reliable draws Jack Sparrow, the Transformers and the Mummy did poorly in the U.S.
The vast majority of movies getting released by these Hollywood film studios are superhero movies, sequels and remakes of older films.
With the remakes they are typically taking a movie that originally starred a cast of White male actors and replacing them with women or racial minorities. This has not been a good formula. Take for example the horrible Ghostbusters remake. The film which featured an all female cast bombed horribly and had its trailer ruthlessly mocked on YouTube. They also put a Negro in the King Arthur film that bombed earlier this year.
The endless sequels have watered down once powerful brands. And how many more superhero films are they going to come out with? We’ve already seen what feels like a hundred Batman and Superman films.
The quality of the movies have also declined. There’s nothing innovative or clever about any of the plots. Most of the films rely upon endless battle scenes loaded with computer generated graphics.
The Jews are in serious trouble. Their films have had nowhere near the cultural impact that they did even just five years ago. Can you think of a single Hollywood movie released this year that has had any sort of meaningful societal impact? How about last year in 2016? Maybe you folks in the comment section can prove me wrong, but I can’t think of anything.
This shows that we are winning the culture war in a big way.
