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Making blacks such an annoying nuisance is part of the Jewish plot to deflect attention from themselves. Blacks don’t typically go in for this whiny tripe, this is something that has been sold to them by Jews, and is always promoted by the Jews in the media.
But here’s a question: why are there black people in the UK at all?
RT:
The Theater Royal Stratford East in London has said that white visitors should not attend an upcoming production of ‘Tambo & Bones’ in order to create a “safe, private” space for an “all-black-identifying audience” to attend a play which examines race relations issues in the United States.
The so-called ‘Black Out’ performance of the play, which is scheduled to take place in July, is intended to foster a “purposeful creation of an environment in which an all-black-identifying audience can experience and discuss an event free from the white gaze,” according to promotional material associated with the production.
However, Festus Akinbusoye, the UK’s first-ever black police and crime commissioner has “strongly urged” the theater to cancel its ‘Black Out’ event.
“Society is richer and stronger when an understanding of each other’s cultures and stories are shared and heard,” Akinbusoye said in comments published by The Telegraph on Saturday. “I believe the ‘Black Out’ concept runs contrary to this education and enrichment ethos.”
Akinbusoye’s comments were endorsed “100%” by Samuel Kasumu, the former race adviser for the UK government who has launched his candidacy for next year’s mayoral elections in London.
Yeah, UK blacks don’t want to end up in the same situation as American blacks, which is not really a good situation.
‘Tambo & Bones’, which opened in the United States in 2022 to lukewarm reviews, examines 300 years of African-American history through the lens of its two protagonists: Tambo, a businessman, and Bones, who is characterized as a hustler. Throughout the course of the production, the pair start as minstrels before becoming rappers and finally members of the ‘Black Lives Matter’ social justice movement.
Matthew Xia, the director of the play, said of the play in a press release this month that it was “imperative” that ‘Black Out’ performances be held in order for black theatergoers to “experience productions that explore complex, nuanced race-related issues’’ in a “private and safe space.”
I don’t feel like doing it right now, because my shift is almost over and there is no easy Wikipedia page to check. But I guarantee you, if you go look up the background of this play, it’s a bunch of Jews behind the blacks who ostensibly put it together. There is a 100% chance of that.
I’m like that Matrix meme when it comes to this stuff.
I don’t even have to look it up.
For those of you reading: I promise I didn’t look it up. You can go look it up if you want, and test my sense of these things.
I would say: Jewish producers, Jewish funding through grants, Jewish education of the writer/director, etc. There is just no way this is not a bunch of Jews.
When blacks are left alone, we know what their creative output is, and it’s not whiny “artsy” garbage. They also want to make as much money as possible and don’t tell whites not to buy their products.
The new nuisance black is a Jewish production.
Don’t get distracted by annoying, whining black people. Focus on the real problem.
